MONT KLAMOTT by SILLY

GERMAN POP LYRICS


The conversation in this song takes place in the Volkspark Friedrichshain, the oldest public park in Berlin. During the Second World War the Nazis made use of the park, constructing flak towers (concrete anti-aircraft towers) there. As a result much of the park was destroyed by Allied bombing. At the end of the war the park was restored, with the huge amount of rubble being used to create two artificial mountains. The larger one (78 metres tall) was given the nickname Mont Klamott, which translates into something like “Rubbish mountain”. The official name is Großer Bunkerberg, while the smaller one (48 metres tall) is known as Kleiner Bunkerberg.

Due to the loss of men in the war the work was mainly carried out by women. Known as Trümmerfrau (literally rubble women), they were not assisted by heavy machinery. Typically they worked with shovels and barrows in what must have been both hazardous and exhausting work. In the GDR (and elsewhere) the Trümmerfrau became a symbol of the woman as worker, reflecting a breaking down of gender stereotypes.

Over time the woodland at Mont Klamott has asserted itself and the hills now appear to be a natural part of the landscape.

MONT KLAMOTT
 
Mitten in der City 
zwischen Staub und Straßenlärm
Wächst 'ne grüne Beule        
aus dem Stadtgedärm
Dort hängen wir zum Weekend 
die Lungen in den Wind
Bis ihre schlappen Flügel 
so richtig durchgelüftet sind
 
Neulich sitz ich 
mit 'ner alten Dame auf der Bank
Wir reden über dies und das
da sag ich: "Gott sei Dank
Da ist ihnen mal was eingefall'n
den Vätern dieser Stadt
Dass unsereins 'n bissel 
frische Luft zum Atmen hat"

REFRAIN:
Mont Klamott - auf'm Dach von Berlin
Mont Klamott - Sind die Wiesen so grün
Mont Klamott - auf'm Dach von Berlin
Mont Klamott - Sind die Wiesen so grün
 
Die alte Dame lächelt matt:
"Lass sie ruh'n, die Väter dieser Stadt
Die sind so tot seit 
Deutschlands Himmelfahrt
Die Mütter dieser Stadt hab'n 
den Berg zusamm'gekarrt"
 
REFRAIN
MONT KLAMOTT
 
In the middle of the city 
between dust and street noise
A green bulge is growing 
from the bowels of the city
There, for the weekend, we hang
our lungs out in the wind
Until their worn out wings
are completely refreshed with air
 
The other day I’m sitting
with an old lady on the bench
We talk about this and that 
then I say: “Thank God
They finally realised,
the fathers of this city,
that the likes of us need a bit
of fresh air to breathe”

CHORUS:
Mont Klamott - On the roof of Berlin
Mont Klamott - The fields are so green
Mont Klamott - On the roof of Berlin
Mont Klamott - The fields are so green
 
The old lady smiles wearily:
“Let them rest, the fathers of this city
They've been so dead since 
Germany's ascension to heaven
The mothers of this town 
put the mountain together cart by cart”

CHORUS

KEIN SCHWEIN RUFT MICH AN by MAX RAABE

GERMAN POP LYRICS


Following on from the previous post it seems only fair to let us hear from Max himself, here singing one of his own songs. If dates from 1992 but it sounds more like 1932.

The title is difficult to translate. I realise swine is old fashioned in English, but I think it suits the retro style of the song. Bitch is too harsh, and “No-one ever calls me” (suggested on Wikipedia) is a bit too bland.

KEIN SCHWEIN RUFT MICH AN

REFRAIN:
Kein Schwein ruft mich an
Keine Sau interessiert sich für mich
Solange ich hier wohn’
ist es fast wie Hohn
schweigt das Telefon
Kein Schwein ruft mich an
Keine Sau interessiert sich für mich
Und ich frage mich,
denkt gelegentlich
jemand mal an mich?
 
Den Zustand find’ ich höchst fatal
für heut’ geh’ Zeiten nicht normal
wo jeder nur darüber klagt
das Telefon an Nerven nagt
Ich traue mich kaum mehr aus der Tür,
denn stets hab’ ich vermutet,
dass, kaum dass ich das Haus verlass’
es klingelt oder tutet.
 
Doch... REFRAIN
 
Vielleicht, dass manche mich
im Land der Dänen wähnen.
Oder fern von hier,
wo die Hyänen gähnen.
 
Denn... Kein Schwein ruft mich an.
Keine Sau interessiert sich für mich.
Doch liegt es nicht an mir,
ich zahle monatlich die Telefongebühr.
 
Das war für mich kein Zustand mehr
Es musste eine Lösung her!
Das war für mich sofort
der Anrufbeantworter
Und als ich dann nach Hause kam,
war ich vor Glück und Freude lahm
Es blinkt mir froh der Apparat
dass jemand angerufen hat
 
Die süße Stimme einer Frau
verrät mir und erzählt:
“Verzeihen Sie mein werter Herr,
ich habe mich verwählt.”
NOT ONE SWINE RINGS ME UP

CHORUS:
Not one swine rings me up
Not one cow is interested in me
As long as I’ve lived here
it’s almost as if
the silent telephone is mocking me
Not one swine rings me up
Not one cow is interested in me
And I ask myself
does someone else
think of me from time to time?

The condition I find myself in is most disastrous
because today's times are not normal
where everyone just complains about it
the phone gnaws at my nerves
I hardly dare to step out of the door
because I always suspect
that as soon as I leave the house
it rings or toots
 
But... CHORUS

Maybe some people believe me to be
in the land of the Danes
Or far from here
Where hyenas yawn

Because… Not one swine rings me up
Not one cow is interested in me
Though it’s not my fault
I pay my monthly telephone bill

I couldn’t stand my condition anymore
A solution was needed urgently
It came to me that instant
the answering machine
And when I got home
I was weak with happiness and joy
The phone blinked happily at me
that somebody had called me

The sweet voice of a woman
Revealed itself to me and explained:
“I beg your pardon my dear man,
I’ve dialed the wrong number."

LANGSAM by MAX RAABE

GERMAN POP LYRICS: THE ANNETTE HUMPE STORY: PART 4

Ich + Ich have been inactive since 2010 and Adel Tawil has started a solo career. Meanwhile Annette Humpe has returned to writing and production for other artists. Perhaps her most notable recent project has been writing two albums for Max Raabe.

Raabe is an eccentric character and his style is something of a throwback to the German popular music of the 1920s and 1930s, not least that of the Comedian Harmonists. He has been a beloved character in Germany for many years, but the two albums with Humpe are by far his most successful to date, both reaching the top 3 of the national charts. “Langsam” is from “Für Frauen ist das kein Problem” (2013). I think Humpe does a great job of writing in a different style, though sometimes the Palast Orchester (Palace Orchestra) who usually accompany Raabe are missed. I recommend this album to German learners as the lyrics are relatively easy to understand and they are clearly sung by Raabe.

NB This song is not available on YouTube, so I have had a go at singing it myself. This is my first attempt at singing in German.

So there you have it, four songs from four different decades. And here the story ends, at least for now…

LANGSAM

Der Mond geht auf, mhhh, mhhh,
Ganz langsam.
Er nimmt seinen Lauf, mhhh, mhhh,
Ganz langsam.

Es weht ein warmer Sommerwind,
Die Wolken ziehen,
Wir beide sind… allein.

Du bist bei mir,
Es ist ganz still,
Ich weiß genau,
Was ich jetzt will… mhhh

Ich komm auf dich zu, mhhh, mhhh,
Ganz langsam.
Ich weiß, was ich tu, mhhh, mhhh,
Ganz langsam.

Manchmal geht's am Tage,
Manchmal in der Nacht, mhhh,
Manchmal kann es schnell gehen,
Bei mir geht es ganz sacht, mhhh,
Nimm Dich in Acht
SLOWLY

The moon rises, mhhh, mhhh,
So slowly.
He takes his course, mhhh, mhhh,
So slowly.

A warmer summer breeze blows,
The clouds drift by,
We are… alone.

You’re with me,
It's so quiet,
I know exactly,
What I want now… mhhh
 
I go up to you, mhhh, mhhh,
So slowly.
I know what I'm doing, mhhh, mhhh,
So slowly.
 
Sometimes it happens by day,
Sometimes at night, mhhh,
Sometimes it can go fast,
With me it happens so gently, mhhh,
Take care of yourself

 

CHORDS:
C – Ab – G – C
C – Ab – G – C
F – Fm – C – C7
F – Fm – C/G – G

LA CHANSON by SYLVIE VARTAN

GERMAN POP LYRICS: The 1960s – Part 11

This series has already featured France Gall and Francoise Hardy, so why not include Sylvie Vartan as well? The sad truth is that the homegrown beat Mädchens were no match for these French ye-ye imports.

“La Chanson” was adapted from French to German by Udo Jürgens in 1966. An influential figure in German language pop, he is perhaps best known for winning the Eurovision Song Contest for Austria that same year. Vartan may not be famous for singing in German, but she is at her best here, giving a passionate performance. This rarity can be found on the compilation “Verlorene Mädchen: Teil 1”.

LA CHANSON

La Chanson, das Lied das mir geblieben
Erzählt mir du wirst mich immer lieben
Doch viel zu schnell vergingen unsere Tage
Wer Antwort sucht, der findet eine Frage

Ja, la Chanson, das Lied das wir gesungen
Ist nun für dich vergessen und verklungen
Und jeder Blick aus deinen Augen sagt: "Vorbei!"

Jedes Wort wollt' diesem Lied ich glauben
Niemand sollt' dieses Glück mir rauben

La Chanson, das Lied hat mich betrogen
Es klang so schön, doch du hast mich belogen
Und viel zu schnell vergingen unsere Stunden
Wir suchten uns und haben nichts gefunden

Ja, la Chanson, das Lied ist mir geblieben
Und tut's auch weh, ich werd' es immer lieben
Ja, heute sing' ich dieses unser Lied nur für dich
Wo du auch bist, wohin's dich auch zieht
Hör’ la Chanson, unser Lied
LA CHANSON

La Chanson, the song that stays with me
Tells me you will always love me
But our days passed by far too fast
One who looks for answers will find a question

Yes, la Chanson, the song that we sang	
Is now forgotten and faded for you
And every look from your eyes says: "It’s over!"

I wanted to believe every word of this song
No one shall rob me of this happiness

La Chanson, the song deceived me
It sounded so beautiful, but you lied to me
And our hours passed by far too fast
We searched for each other and found nothing

Yes, la Chanson, the song stays with me
And it also hurts, I will always love it
Yes, today I sing this, our song, only for you
Wherever you are, wherever you are drawn
Listen to la Chanson, our song

EL YA REGRESO by MARION MÄRZ

Marion has appeared on German Pop Lyrics singing her great single “Er ist wieder da” from 1965.
In 1967 she released the EP “Canta En Español” in Spain, which contains this excellent Spanish adaptation of her biggest hit.

EL YA REGRESO

Él ya regresó, él ya está aquí
Él ya regresó, me han dicho a mí
Y yo me pregunto qué puede haber pasado
Él de nuevo aquí, sin venir a mí
 
Él ya regresó, ¿qué debo hacer?
Y no me llamó, no sé por qué
Todo el mundo en la ciudad le han visto ya
¿Qué es lo que pasó? No comprendo, no
 
Él me escribía cartas de amor
Pero un día no escribió
Y se rompió la ilusión
Y el amor se acabó, se acabó para mí
 
Él me prometió juntos estar
Y así tener felicidad
Pero él está aquí y me encuentro sola
Ya todo acabó, desde que llegó
Pero él está aquí y me encuentro sola
Ya todo acabó, desde que que llegó
HE'S ALREADY BACK

He's already back, he's already here
He's already back, so I've been told
And I ask myself what can have happened
He has returned, without coming to me

He's already back, what can I do?
And he doesn't call me, I don't know why
Everyone in the city has seen him already
What's happened? No, I don't understand

He used to write me love letters
But one day he didn't write
And the dream was broken
And love was over, it was over for me

He promised me we would be together
And that way we would be happy
But he's here and I find myself alone
Now everything is over, since he arrived
But he's here and I find myself alone
Now everything is over, since he arrived

PROVERBES by JAQUES DUTRONC

FRENCH POP LYRICS

Dutronc’s 3rd LP (1969) couldn’t quite match the brilliance of his first two albums. He seemed to be distancing himself from contemporary rock somewhat, happy to be a besuited outsider looking in. That said, there are still some great tracks on it, like ‘Proverbes’. As the title suggests the lyrics contain numerous French sayings, so I’ve tried to find the closest English equivalent rather than translate them literally.

e.g. Il y a loin de la coupe aux lèvres: literally the cup is a long way from the lips

There is a close (if slightly archaic) English equivalent: There’s many a slip ‘twixt cup and lip

I took much of this information from lyrics translate.

This track appears on the playlist of a Readers Recommend topic about songs with Proverbs.

PROVERBES

Ils disent que...
Il y a loin de la coupe aux lèvres
Et que loin des yeux loin du cœur
Mais moi j'ai soif de ta chaleur
Et si tu ne me reviens pas j'en crève

Ventre affamé n'a pas d'oreilles
Mais moi j'ai faim et puis j'entends
J'ai faim de toi et je t'attends
Dans la nuit qui porte conseil

Ils disent que...
L'on n'est jamais trahi que par les siens
Mais moi je ne veux pas les croire
J'ai confiance en toi et mon espoir
Est de me dire que tu reviens

Une de perdue dix de retrouvées
Et que loin des yeux loin du cœur
Mais moi je ne veux t'oublier
Car mon cœur est une montre à l'heure

Je t'en supplie reviens moi, reviens
Avec toi je veux voir le matin
Car sans toi le matin est tout noir

Ils disent que...
Tout ce qui brille n'est pas or
Il faut se méfier de l'eau qui dort
Mais toi la nuit tu es ma flamme
Je veux que tu deviennes ma femme

Il faut prendre son plaisir où il se trouve
Mais mon plaisir sans toi n'existe pas
Sans toi je ne veux faire un pas
Et tous les autres me désapprouvent

Ils disent que...
C'est le temps qui fait la chanson
Et que la nuit porte conseil
Mais tu vois ils n'ont pas raison
Moi la nuit je ne dors pas je veille

Tout est bien qui finit bien
Moi je veux bien les écouter
Croire qu'ils disent la vérité
Ils disent que tu seras là demain

Je t'en supplie reviens moi, reviens
Avec toi je veux voir le matin
Car sans toi le matin est tout noir
PROVERBS

They say that...
There's many a slip 'twixt cup and lip
And that out of sight is out of mind
But I'm thirsty for your heat
And if you don't return I'll burst

There's no reasoning with a starving man
But I'm hungry and I'm still listening
I'm hungry for you and I'm waiting for you
Sleeping on my decision

They say that...
It's those closest to you who betray you
But I don't want to believe it
I have belief in you and my hope
Is to tell myself that you will return.

There are plenty of fish in the sea
And out of sight is out of mind
But I don't want to forget you
Because my heart is a watch that always keeps time

I beg you to come back to me, come back
I want to see tomorrow with you
Because without you the morning is completely dark

They say that...
All that glitters is not gold
You have to watch out for the quiet ones
But you're the light in my night
I would like you to become my wife

You must take your pleasure where you find it
But my pleasure doesn't exist without you
Without you I don't want to take a step
And all the others disapprove of me

They say that...
It's not what you do it's the way that you do it
And that sleeping on it makes you wise
But you see that they are wrong
I don't sleep at night, I watch

All's well that ends well
I'd really like to listen to them
To believe that they're telling the truth
They say that you will be there tomorrow

I beg you to return to me, return
With you I want to see tomorrow
Because without you the morning is completely dark

VOM SELBEN STERN by ICH + ICH

GERMAN POP LYRICS: THE ANNETTE HUMPE STORY: PART 3

Annette Humpe finally returned to the public eye in 2004 when she formed the duo Ich + Ich with singer Adel Tawil. Humpe sang occasional lead vocals but Tawil was clearly the frontman.

The optimism of this song, the title track of their second album from 2007, is a world away from the nihilism of Ideal. In interview Humpe has said it was written to try and inspire a friend who had fallen into a deep depression. It is also interesting to note that here was an older woman writing songs for a younger man to sing, an inversion of one of the (generally regretable) cliches of the music industry.

Ich + Ich were hugely successful: the album “Vom selben Stern” has sold over a million copies. Arguably they were one of the few listenable groups on mainstream German radio in the noughties.

VOM SELBEN STERN

Steh auf, zieh dich an
Jetzt sind andere Geister dran
Ich nehme den Schmerz von dir
Ich nehme den Schmerz von dir

Fenster auf, Musik ganz laut
Das letzte Eis ist aufgetaut
Ich nehme den Schmerz von dir
Ich nehme den Schmerz von dir
 
PRE CHORUS:
Wir alle sind aus Sternenstaub
In unseren Augen warmer Glanz
Wir sind noch immer nicht zerbrochen
Wir sind ganz
 
CHORUS:
Du bist vom selben Stern
Ich kann deinen Herzschlag hören
Du bist vom selben Stern
Wie ich…
Weil dich die gleiche Stimme lenkt
Und du am gleichen Faden hängst
Weil du dasselbe denkst
Wie ich…
 
Tanz durch dein Zimmer, heb mal ab
Tanz durch die Straßen
Tanz durch die Stadt
Ich nehme den Schmerz von dir
Ich nehme den Schmerz von dir

Lass uns zusammen unsere Bahnen ziehen
Wir fliegen heute noch über Berlin
Ich nehme den Schmerz von dir
Ich nehme den Schmerz von dir
 
PRE CHORUS
 
CHORUS 

Ich nehme den Schmerz von dir
Ich nehme den Schmerz von dir
 
CHORUS
FROM THE SAME STAR

Get up, get dressed
Now different spirits take their turn
I'll take your pain away
I'll take your pain away

Window open, music really loud
The last ice has melted
I'll take your pain away
I'll take your pain away
 
PRE CHORUS:
We are all made of stardust
A warm glow in our eyes
We are still not broken
We are whole
 
CHORUS:
You're from the same star
I can hear your heartbeat
You're from the same star 
As me…
Because the same voice is guiding you
And you're hanging by the same thread
Because you're thinking the same 
As me…
 
Dance around your room, float up
Dance through the streets
Dance through the town
I'll take your pain away
I'll take your pain away
 
Let's take the same path together
Today we'll fly over Berlin
I'll take your pain away
I'll take your pain away

PRE CHORUS
 
CHORUS
 
I'll take your pain away
I'll take your pain away

CHORUS

 

WENN DIESES LIED ERKLINGT by FRANÇOISE HARDY

GERMAN POP LYRICS: The 1960s – Part 10

Everybody loved Françoise Hardy in the 1960s, and she released albums in four different languages: French, English, Italian and German. Her first German album from 1965 included a mixture of translations of her previous hits alongside new songs written in German. These are exclusive to this release, and here is one of the best. It certainly veers close to Schlager, but the result is still delightful.

WENN DIESES LIED ERKLINGT

Wenn dieses Lied erklingt
Dann bin ich längst gegangen
Wenn dieses Lied erklingt
Wer weiß wo ich dann bin
So schön, so schön hat's einmal angefangen
Doch bald wird's heißen
Aus den Augen aus dem Sinn

Wenn dieses Lied erklingt
Das ich für dich geschrieben
Wenn dieses Lied erklingt
Dann ist's ein Abschiedsgruß
Ich wär so gern, so gern bei dir geblieben
Und dennoch weiß ich 
Dass ich dich verlassen muss

Wenn dieses Lied erklingt…

WHEN THIS SONG SOUNDS

When this song sounds
Then I’m long gone
When this song sounds
Who knows where I am
So beautiful, so beautiful once it began
But soon it will mean 
Out of sight, out of mind 

When this song sounds
That I wrote for you
When this song sounds
Then it's a farewell
I would love to stay with you so much
And yet I still know 
That I must leave you

When this song sounds…

GERMAN GRAMMAR: DIESE

This and these translate as diese in German.

The endings follow the adjective rule which I looked at in a previous post.

For example, in the nominative case:

Dieser Onkel (Masculine)

Dieses Lied (Neuter)

Diese Mutter (Feminine)

Diese Mütter (Plural)

 

NB For that you usually use das e.g. Das denken alle! (Everybody thinks that!)

ICH KÜSSE IHREN MANN by ANNETTE HUMPE

GERMAN POP LYRICS: THE ANNETTE HUMPE STORY: PART 2

By 1983 both Ideal and Neonbabies had split up and the Humpe sisters found themselves working together in the novelty project DÖF with a couple of Austrian comedians. Perhaps surprisingly DÖF were hugely successful, in particular the single “Codo”. After this the sisters remained together, recording two pop albums together as Humpe & Humpe. Sung mainly in English, they both charted.

The 1980s were very successful for Annette Humpe. However, her first (and so far only) solo album in 1990 missed the German charts. This track was released as a single, but it didn’t chart either. After this relative flop Humpe decided to concentrate on songwriting and production for other artists, notably Die Prinzen. Though she remained an important figure in the German music industry it seemed like her time in the spotlight was over…

ICH KÜSSE IHREN MANN

REFRAIN:
Ich küsse Ihren Mann
Sie müssen schon verzeihen
Nur für einen Tag
Sollen Sie ihn mir leihen

Ich küsse Ihren Mann
Küssen wird mich heilen
Nur für einen Tag
Sollen Sie ihn mit mir teilen 

Die Welt ist schlecht
Und viele sehe ich frieren
Und an einem Tag
Kann nicht viel passieren 

Sie kriegen ihn sofort zurück
Völlig unversehrt
Und bevor es dunkel wird
Ist er zurückgekehrt

REFRAIN 

Ich küsse Ihren Mann
Küssen wird mich heilen
Nur für einen Tag
Sollen Sie ihn mit mir teilen 

Ich küsse Ihren Mann
Nur für fünf Minuten
Nein, es ist nicht so
Wie Sie vielleicht vermuten

Ich küsse Ihren Mann
Ich find' ihn so sympathisch
Fünf Minuten nur
Ist doch nicht dramatisch

Ich hab' das gar nicht nötig
Männer liegen mir zu Füßen
Aber grade heute
Heute will ich küssen

REFRAIN

Ich küsse Ihren Mann
Er bleibt unversehrt
Und bevor es dunkel wird
Ist er zurückgekehrt
I’M KISSING YOUR MAN

CHORUS:
I’m kissing your man
You should forgive me
Just for one day
You shall lend him to me

I’m kissing your man
Kissing will heal me
Just for one day
You shall share him with me

The world is rough
And I see many people freeze
And in one day
Not much can happen

You will get him back immediately
Completely unscathed
And before it gets dark
He will have returned

CHORUS

I’m kissing your man
Kissing will heal me
Just for one day
You shall share him with me

I’m kissing your man
Just for five minutes
No, it is not the way
That you might think

I’m kissing your man
I think he’s so nice
Just for five minutes
It’s not so dramatic

I don't really need it
Men fall at my feet
But just today
Today I want to kiss

CHORUS

I’m kissing your man
He remains unscathed
And before it gets dark
He will have returned

GERMAN GRAMMAR: IHR

When you start learning German and how to conjugate verbs, you come across ihr, the personal pronoun for you (plural form) in the nominative case.

Ihr seid meine Freunde (You are my friends)

However ihr is also used as a possessive pronoun for sie (all forms) i.e. her, their and your (formal). In the title of the song the singer is using the Sie formal form. The verb küssen is used with the accusative case, and since the object is masculine (the man) –en is added to Ihr.

Ich küsse Ihren Mann (I’m kissing your man)

To confuse matters further, there is a third use of ihr. It is used for feminine personal pronouns with the dative case. Consider the following sentence:

Ich gebe der Frau ihr bier (I give the woman her beer)

Here ihr is a possessive pronoun. However, we can now replace der Frau with a dative personal pronoun, since geben goes with the dative i.e. I am giving the beer to her.

Ich gebe ihr ihr bier (I give her her beer)

Interestingly English has the same confusing repetion in this example. To complete the set we can know change from I to you (plural):

Ihr gibt ihr ihr bier (You give her her beer)

BEGIN THE BEGUINE by JULIO IGLESIAS

This year the look of this site has been changed, mainly to make it easier to read on a wider range of devices. I have also tried to make it easier to navigate. For instance you can now choose the categories Spanish, French or German pop lyrics if you want to see songs in just one language.

This is the 200th post in the Spanish Pop Lyrics category. I think the time has come to finally give Julio Iglesias his place on this blog!

“Begin the Beguine” was written by Cole Porter in 1935. The first hit version was an instrumental take by Artie Shaw in 1938, and since then it has been recorded by countless artists. Julio’s Spanish adaptation hit number one in the UK charts in 1981.

This translation is by Alev at lyrics translate.

BEGIN THE BEGUINE

When they begin the beguine
Quiero sentir
Las cosas de siempre
Quiero saber
Si tú aun me quieres
Quiero volver a empezar
 
When they begin the beguine
Quiero saber
Que fue de tu vida
Quiero saber
Si todo se olvida
Para volver a empezar
 
Yo que siempre jugué con tu amor hasta el final
Y seguro yo estaba que tú aun me querías
Hoy al ver que ya todo acabó 
que no daría
Para volver a empezar
 
Día a día te hacías querer un poco más
¿Quién me iba a decir 
que una vez te perdería?
Y hoy al verme tan solo sin ti 
que no daría
Para volver a empezar
BEGIN THE BEGUINE

When they begin the beguine
I want to feel
The same old things
I want to know 
If you still want me
I want to go back to the beginning
 
When they begin the beguine
I want to know
What has happened in your life
I want to know
If all is forgotten
To go back to the beginning
 
I played games with your love right up to the end
And I was so sure that you still loved me
Today, now that I see it’s all over
What wouldn’t I give
To go back to the beginning
 
Day after day you made me want you a little more ??
Who was going to tell me
that one day I would lose you?
Today, finding myself all alone without you
What wouldn’t I give
To go back to the beginning